![drunk gay sex gif drunk gay sex gif](https://media.giphy.com/media/10vMM1TNo1Uv60/giphy.gif)
What seme doesn’t want an uke that faints in his arms just from seeing his face? Only Yoo Han can show Yeon Woo a whole new world. He enjoys the power that being a probe gives him. Yoo Han wants Yeon Woo to be obsessed with him. But all semes have aggressive predatory instincts (its how they spiral when the drama requires it). When Yoo Han pulls down his mask, it is an aggressive sexual act - yeah, I do mean that kind of exposure - and predatory. So Color Rush used subversion to explore yaoi archetypes: naturally obsessive seme versus supernaturally obsessive uke. They use mono/probe to highlight the sinister nature of seme/uke by emphasizing the obsession a mono (Yeon Woo) has for his probe but countering that by making the probe character the seme (Yoo Han), and a seme is always obsessed with his uke.
![drunk gay sex gif drunk gay sex gif](https://media.giphy.com/media/LslFLw8wogSBO/giphy.gif)
What I initially thought Color Rush was focusing on was codifying the seme/uke dynamic with an in-universe supernatural component: mono/probe. It’s this last bit that made me love this show with such fervor. The narrative backbone was an insanely perfect allegory for queer first love and the coming out experience.It also used this concept mono/probe to say some really subversive things about the seme/uke dynamic.However, Color Rush used this fantastical as an aspect of visual story telling ( Cherry Magic was audio) which allowed it to be less soft, sweet, cute and more tense, sinister, dramatic. It was concept driven, in that it had a strong fantasy component, like Cherry Magic.It neatly avoided the pacing issues of K-BL with a magical realism component that forced intimacy in the first episode.
#DRUNK GAY SEX GIF MOVIE#
2 hours) works better as a movie than a series and manages to satisfy because it utilizes a cinematic approach that strongly relies on manga filming techniques. Thus Color Rush (with a total run time of c. Style: High concept, skewed reality, single POV, small castĭespite being a typical Korean-BL short run, Color Rush was given more legs than most with a STRONG core concept and 8 episodes of 15 minutes each. So, here it is a proper pop critique essay on one of my favorite BLs of all time… All my love for Color Rush I’ve been asked why I love this show so much and usually I direct people to the episode by episode post I did where you can watch me go from “this is cute” to “OH it’s an allegory” to “this is blowing my tiny mind.” But I think it deserves more from me. I was doing a comp post of the BLs I believe honestly represent the queer experience (for Pride obvs), and the first one I thought of was Color Rush.Īnd then I thought, no, I have to just talk about Color Rush for a while.Īnd then I rewatched Color Rush and now… here we are, together, staring down the barrel of yet another super long post from moi.